Extracted from Stephen Bourne’s book on Black British Theatre, ‘Deep are the Roots’, this presentation will be a verbal and visual tribute to London’s Black ballet dancers of the 1940s with a nod to contemporary Black ballet
We will cover:
- Hidden Black choreographers of major musicals
- The Fred Astaire and Cole Porter connection
- Black Bottom, Pickin Cotton, Rhumba, Benguine and Carioca
- Pioneering Jamaican ballet dancers
- Black ballet companies, their work and legacy (1940s)
- Jamaican Maroons and ballet the unknown connection
- Russia, Harlem ,Westbourne Grove and Compton street the ballet link
- The colour bar in theatre and Black resistance
- 21st century Black ballet dancers
Deep Are the Roots celebrates the pioneers of Black British theatre, beginning in 1825, when Ira Aldridge made history as the first Black actor to play Shakespeare’s Othello in the United Kingdom, and ending in 1975 with the success of Britain’s first Black-led theatre company.
In addition to providing a long-overdue critique of Laurence Olivier’s Othello, Bourne has unearthed the forgotten story of Paul Molyneaux, a Shakespearean actor of the Victorian era. The twentieth-century trailblazers include Paul Robeson, Florence Mills, Elisabeth Welch, Edric Connor and Pearl Connor-Mogotsi.
There are chapters about the ground-breaking work of playwrights at the Royal Court, the first Black drama school students, pioneering theatre companies and three influential dramatists of the 1970s: Mustapha Matura, Michael Abbensetts and Alfred Fagon. Drawing on interviews with leading lights, here is everything you need to know about the trailblazers of Black theatre in Britain and their profound influence on the culture of today. ‘Deep are the Roots’ is published by the History Press on 7th October and is available from Amazon.
This is an online event at 6.30pm UK/GMT time. The Zoom link will be sent to your email. Check your JUNK MAIL when you register and just before the event starts.
Other coming events from Black History Walks www.blackhistorywalks.co.uk
- Black History River Cruise
- Black History Bus tour
- Darcus Howe Plaque unveiling
- 18th Century Superheroine Sarah Parker Remond
- 20 Banned Black Films you need to see
- Tracing the money of the slave owners
- The British Black Panther Movement
- African Superheroes Day
- The Black History in Call of Duty
About the speaker
Stephen Bourne is a writer, film and social historian specialising in black heritage and gay culture. As noted by the BBC among others, Stephen ‘has discovered many stories that have remained untold for years’. Bonnie Greer, the acclaimed playwright and critic, says: ‘Stephen brings great natural scholarship and passion to a largely hidden story. He is highly accessible, accurate and surprising. You always walk away from his work knowing something that you didn’t know, that you didn’t even expect.’
Stephen was born in London. He graduated from the London College of Printing with a bachelor’s degree in film and television in 1988, and in 2006 received a MPhil. at De Montfort University on the subject of the representation of gay men in British television drama, 1936–79. After graduating in 1988, he was a research officer at the British Film Institute on a project that documented the history of black people in British television. The result was a two-part television documentary called Black and White in Colour (BBC 1992), directed by Isaac Julien, that is considered ground-breaking.
In 1991 Stephen was a founder member of the Black and Asian Studies Association. In 1991, Stephen co-authored Aunt Esther’s Story with Esther Bruce (his adopted aunt), which was published by Hammersmith and Fulham’s Ethnic Communities Oral History Project. Nancy Daniels in The Voice (8 October 1991) described the book as ‘Poignantly and simply told, the story of Aunt Esther is a factual account of a black working-class woman born in turn of the century London. The book is a captivating documentation of a life rich in experiences, enhanced by good black-and-white photographs.’ For Aunt Esther’s Story, Stephen and Esther were shortlisted for the 1992 Raymond Williams Prize for Community Publishing.